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Story-Based Inquiry Method 1-4

The course sets out the Story-Based Inquiry (SBI) method, which has been successfully used by thousands of journalists, academics and NGO researchers since its publication by UNESCO in 2009. The method can be used for feature writing or documentary filmmaking as well as reportage. Its language and approach have been integrated into leading journalism organisations and NGOs worldwide.

This is one of our most popular courses at #CIJSummer Conference.

“This method is a must for any investigative journalist. It will give you the tools to organise your material for the better. The manual equips with you a number of skills, but most importantly it structures your investigation. So when it comes to filing your story you are fully prepared and not looking for that quote in the cloud”

#CIJSummer 2020 feedback

“This was the most useful course I have ever attended. Clear, hands-on, and superbly delivered.”

Feedback 2021

“A brilliant and very insightful course, which I’ve already started putting into practice. ”

Feedback 2023

Part 1: From question to hypothesis.
A hypothesis is what you think happened — a provisional story based on available evidence. It enables rapid assessment of the interest and viability of your idea and potential sources before investing your time in further research. Our colleagues at the International Consortium of Investigative Journalists call it a core skill in contemporary investigative projects.

Part 2: Nailing the timeline.
Timelines provide a backbone to your story, allowing you to see not only what happened, but what must have happened between known events, and how the story may end. It allows you to focus on dramatic scenes that deepen the impact of your work. In the process, it creates one possible structure for your narrative.

Part 3: Mapping the stakeholders.
A stakeholder map shows you who is involved in your story – as actors, witnesses, and victims. The map leads you to further sources, and enables you to spot relationships among everyone involved. It also indicates the core audience for your story, which is essential to promoting its impact. Not least, it captures an alternative way to structure the story.

Part 4: From Masterfile to masterpiece.
Organisation is a core process for in-depth reporting. A Masterfile is a simple yet effective database that we use to collect and analyse our material. We leverage organisational skills to facilitate the composition of final reports. The time you spend in this session will save you thousands of hours across your career. You will also learn writing techniques that enhance the power of your work.

28 June 2023 –

10:50–11:50
Part 1: From question to hypothesis.
12:00–13:00
Part 2: Nailing the timeline.
14:00–15:00
Part 3: Mapping the stakeholders.
15:10–16:10
Part 4: From Masterfile to masterpiece.

Dr Mark Lee Hunter

Dr Mark Lee Hunter is a founding member of The Global Investigative Journalism Network, the principal author of Story-Based Inquiry: A Manual for Investigative Journalists (UNESCO 2009) and the recipient of many awards for his reporting.

Luuk Sengers

Luuk Sengers is an experienced teacher and investigative journalist. He lectures at universities and in newsrooms and writes data-driven stories for the leading Dutch magazine De Groene Amsterdammer. He is also the co-developer of Story-Based Inquiry.
  • 28 June 2023 10.50–16.10
Location: PSH LG01
Course
All levels
Journalism
Methodology
Narrative

The Hidden Scenario

by Luuk Sengers and Mark Lee Hunter

The Hidden Scenario focuses on how making a scenario can help you investigate. Part One details the basic principles of constructing a chronology. In Part Two, we move on to the construction of powerful scenes.

£7 Buy Handbook

The Story Tells the Facts

by Luuk Sengers and Mark Lee Hunter

This book will help you to make your investigative writing better by focusing on writing skills, because they transpose very well into other media. To order, please complete the order form. If you can tell a story in words and capture information in a narrative, the odds of telling a good story in film or radio go up, too.

£7 Buy Handbook